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home·artworks·Mulher do Pará (no balcão)
Mulher do Pará (no balcão) by Anita Malfatti

plate no. 4511

Mulher do Pará (no balcão)

Anita Malfatti, 1927

oilPost-Impressionismportraitfigurebalconyportraitdressplantwindow
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing to achieve subtle skin tones, and creating texture with visible brushstrokes. It also provides practice in depicting light and shadow to create form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's proportions and placement on the balcony.

  2. step 02

    Block in the main color areas: skin tones, dress, background, and balcony.

  3. step 03

    Begin layering colors to build up the skin tones, paying attention to highlights and shadows.

  4. step 04

    Develop the texture of the dress using visible brushstrokes and variations in color.

  5. step 05

    Paint the background, creating a sense of depth and atmosphere.

  6. step 06

    Add details to the figure's hair, jewelry, and clothing.

  7. step 07

    Refine the balcony and plant, adding details to create a sense of realism.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · yellow ochre · titanium white · burnt umber

secondary · cadmium red · viridian green · ivory black

Mix yellow ochre and white for the dress and skin tones. Use burnt umber to create shadows and depth. Add small amounts of cadmium red for the lips and cheeks.

techniques

  • ·dry brush texture
  • ·color layering
  • ·scumbling
  • ·broken color
  • ·portraiture

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting to create a strong sense of light and shadow.
  • →Getting lost in details before establishing the overall composition.
  • →Not paying attention to the proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·yellow ochre
  • ·titanium white
  • ·burnt umber
  • ·cadmium red
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-sized canvas to allow for sufficient detail. Acrylics are recommended for beginners due to their faster drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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