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home·artworks·Muley Abd-ar-Rhaman, The Sultan of Morocco, leaving his Palace of Meknes with his entourage
Muley Abd-ar-Rhaman, The Sultan of Morocco, leaving his Palace of Meknes with his entourage by Eugene Delacroix

plate no. 0710

Muley Abd-ar-Rhaman, The Sultan of Morocco, leaving his Palace of Meknes with his entourage

Eugene Delacroix, 1845

oil, canvasOrientalismhistory paintingfigureshorsearchitectureskyprocessionMorocco
experienced study

Recreating this painting will help students develop skills in depicting figures in a crowd and creating a sense of depth through atmospheric perspective and color variation. It will also improve their ability to render textures of fabrics and stone.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main figures and the architectural elements.

  2. step 02

    Establish the sky and the general ground color, creating a gradient to suggest depth.

  3. step 03

    Block in the main shapes of the buildings and the figures, using simplified color masses.

  4. step 04

    Begin refining the details of the Sultan and his horse, paying attention to the light and shadow.

  5. step 05

    Add details to the surrounding figures, gradually reducing the level of detail as they recede into the background.

  6. step 06

    Work on the textures of the fabrics and the stone walls, using varied brushstrokes.

  7. step 07

    Add highlights and shadows to create a sense of volume and form.

  8. step 08

    Refine the overall composition and add final details.

color palette

primary · yellow ochre · burnt umber · ultramarine blue

secondary · raw sienna · ivory black · cadmium red light

Mix various shades of ochre and umber for the buildings and figures' clothing. Use ultramarine blue with white and a touch of ochre for the sky. Create grays by mixing black and white with small amounts of other colors.

techniques

  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·figure drawing
  • ·broken color

common pitfalls

  • →Getting bogged down in details too early.
  • →Creating a flat, lifeless sky.
  • →Failing to establish a clear sense of depth.
  • →Overworking the details of the background figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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