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home·artworks·Mountains in Provence. L'Estaque
Mountains in Provence. L'Estaque by Paul Cezanne

plate no. 3312

Mountains in Provence. L'Estaque

Paul Cezanne, 1880

oil, canvasPost-Impressionismlandscapelandscapemountainstreesbuildingsskyhills
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and layering brushstrokes to build form and texture. It also encourages understanding of simplified shapes and forms in landscape painting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the mountain, buildings, and foreground hills.

  2. step 02

    Block in the sky with a thin layer of light blue.

  3. step 03

    Establish the basic color tones for the mountain, using blues, greens, and yellows.

  4. step 04

    Paint the buildings with simplified shapes and colors, focusing on light and shadow.

  5. step 05

    Develop the foreground hills using a range of yellows, browns, and greens, applying short, broken brushstrokes.

  6. step 06

    Add the trees and vegetation with varying shades of green, using dabbing and stippling techniques.

  7. step 07

    Refine the details and adjust the colors to create depth and harmony.

  8. step 08

    Add final touches and highlights to enhance the overall impression.

color palette

primary · ultramarine blue · yellow ochre · sap green · titanium white

secondary · burnt sienna · cadmium yellow · viridian

Mix greens by combining blues and yellows, and use white to lighten values. Achieve earth tones by blending browns, yellows, and blues. Use small amounts of complementary colors to dull down bright colors.

techniques

  • ·broken color
  • ·layering
  • ·color mixing
  • ·simplified forms
  • ·impasto

common pitfalls

  • →Overworking the details and losing the simplified forms.
  • →Using colors straight from the tube without mixing.
  • →Failing to create depth through color and value changes.
  • →Not paying attention to the direction of brushstrokes to suggest form.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (ultramarine blue, yellow ochre, sap green, titanium white, burnt sienna)
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·palette
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·medium (alkyd or linseed)
  • ·easel
  • ·palette cup

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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