apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mountain Landscape
Mountain Landscape by Adalbert Erdeli

plate no. 3004

Mountain Landscape

Adalbert Erdeli, 1930

oilPost-Impressionismlandscapemountainslandscapehillstreesskyvegetation
suitable for beginners

This painting is great for practicing layering colors and creating depth using atmospheric perspective. Students can learn to simplify shapes and focus on color relationships rather than precise details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic mountain and hill shapes with light pencil lines.

  2. step 02

    Block in the sky with a thin wash of light blue and white.

  3. step 03

    Establish the darkest values in the foreground with a mix of dark green and blue.

  4. step 04

    Layer progressively lighter shades of green and blue for the midground hills, creating a sense of depth.

  5. step 05

    Use a dry brush technique to add texture to the hills and mountains.

  6. step 06

    Add small details like trees and bushes with short, broken brushstrokes.

  7. step 07

    Refine the color variations and adjust values as needed.

  8. step 08

    Add the signature in the bottom right corner.

color palette

primary · viridian green · cerulean blue · titanium white

secondary · yellow ochre · ultramarine blue

Mix different shades of green by combining viridian green, cerulean blue, and yellow ochre. Use white to lighten the colors for the distant mountains and hills. Add ultramarine blue to darken the greens for the foreground.

techniques

  • ·dry brushing
  • ·layering
  • ·atmospheric perspective
  • ·color mixing
  • ·broken color

common pitfalls

  • →Overmixing colors and creating muddy tones.
  • →Making the foreground too bright and losing the sense of depth.
  • →Focusing too much on details and losing the overall impression.
  • →Not using enough white to create the atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·viridian green oil paint
  • ·cerulean blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 6, 8)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·ultramarine blue oil paint

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov