apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mountain barn at 'Les Posses' above Gryon
Mountain barn at 'Les Posses' above Gryon by Hubertine Heijermans

plate no. 5054

Mountain barn at 'Les Posses' above Gryon

Hubertine Heijermans, 2003

watercolor, paperContemporary Realismlandscapebarnmountainstreeslandscapeskyfield
some experience helpful

Recreating this painting will help students develop skills in layering watercolor washes and creating atmospheric perspective. It also provides practice in rendering textures like wood and stone with watercolor.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: barn, mountains, trees, and horizon line.

  2. step 02

    Apply a light wash of diluted blue and pink for the sky, allowing colors to blend.

  3. step 03

    Paint the distant mountains with light blues and grays, suggesting snow with white highlights.

  4. step 04

    Layer washes of green and yellow to create the grassy field, varying the tones for depth.

  5. step 05

    Paint the barn roof with orange and brown washes, adding details like shadows and texture.

  6. step 06

    Render the barn walls with a mix of browns, grays, and blues, indicating the wood grain and stone foundation.

  7. step 07

    Paint the trees with thin washes of brown and gray, adding delicate branches.

  8. step 08

    Add final details like shadows, highlights, and small details to enhance realism.

color palette

primary · cerulean blue · yellow ochre · burnt sienna

secondary · ultramarine blue · alizarin crimson · raw umber

Mix greens by combining cerulean blue and yellow ochre. Achieve grays by mixing ultramarine blue and burnt sienna. Use alizarin crimson to create subtle pinks for the sky and highlights.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering washes
  • ·glazing
  • ·lifting

common pitfalls

  • →Overworking the washes, leading to muddy colors.
  • →Not allowing washes to dry completely before layering.
  • →Using too much water, causing colors to bleed uncontrollably.
  • →Ignoring the importance of value contrast in creating depth.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints (tubes or pans)
  • ·watercolor paper (140lb cold press)
  • ·round watercolor brushes (sizes #4, #8, #12)
  • ·palette for mixing paints
  • ·water container
  • ·paper towels
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·spray bottle

Use high-quality watercolor paper to prevent buckling and allow for better blending. Experiment with different brush sizes to achieve various effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Fifth Ave

Fifth Ave

Pietropoli Patrick

July

July

Fairfield Porter

Tresco

Tresco

John Miller

Pope John Paul II

Pope John Paul II

Nelson Shanks

Dog and Groom

Dog and Groom

Alex Colville

Beach with Palm

Beach with Palm

John Miller

Au Wihlering II

Au Wihlering II

Gazmend Freitag

Dan Cowan

Dan Cowan

Richard Whitney