
plate no. 3953
Minas Avetisyan, 1964
Recreating this painting will help students practice layering colors and capturing form with visible brushstrokes. It also provides an opportunity to study portraiture and simplified representation.
technical profile
approach — 8 steps
Lightly sketch the main shapes and composition, focusing on proportions.
Block in the background with a thin wash of neutral color.
Establish the main skin tones of the figures, using a limited palette.
Add the darker values to define the forms of the figures and objects.
Develop the details of the headscarf and clothing, paying attention to the patterns.
Paint the flowers and the glass, capturing their shapes and colors.
Refine the brushwork and add highlights to create depth and dimension.
Make final adjustments to the colors and values to achieve a cohesive look.
color palette
primary · raw umber · titanium white · cadmium red light · yellow ochre
secondary · ultramarine blue · burnt sienna · ivory black
Mix skin tones by blending white, red, and yellow ochre, adding small amounts of umber for shadows. Achieve the neutral background by mixing umber, white, and a touch of blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-sized canvas (e.g., 16x20 inches) to allow for sufficient detail. Consider using a limited palette to simplify the color mixing process.
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