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home·artworks·Mother With Child Under The Crucifix
Mother With Child Under The Crucifix by Peter Fendi

plate no. 7149

Mother With Child Under The Crucifix

Peter Fendi

oil, canvasBiedermeiergenre paintingfiguresmotherchildcrucifixprayerreligious
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and soft lighting. It also provides practice in depicting figures in a dimly lit environment.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main figures and the crucifix.

  2. step 02

    Block in the background with a dark, muted brown.

  3. step 03

    Establish the main light source and begin layering in the skin tones of the mother and child, focusing on the highlights and shadows.

  4. step 04

    Paint the clothing with loose brushstrokes, paying attention to the folds and drapery.

  5. step 05

    Refine the facial features, focusing on capturing the expressions of the mother and child.

  6. step 06

    Add details to the crucifix, keeping it dark and somewhat indistinct.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · alizarin crimson

Achieve the skin tones by mixing white, yellow ochre, and small amounts of red and brown. Use thin glazes to build up the colors gradually. The dark background is a mix of black and umber.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·figure drawing

common pitfalls

  • →Overworking the details, especially in the background.
  • →Making the skin tones too saturated or unnatural.
  • →Failing to capture the subtle expressions of the figures.
  • →Not establishing a clear light source.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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