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home·artworks·Moschee in Tunis
Moschee in Tunis by Gabriele Munter

plate no. 2714

Moschee in Tunis

Gabriele Munter, 1905

oilPost-Impressionismcityscapebuildingstreetfiguresskyarchitecturecityscape
some experience helpful

This painting provides a good exercise in capturing light and shadow on architectural forms using visible brushstrokes. Students can practice simplifying complex scenes into basic shapes and color blocks.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the building, domes, and figures, focusing on proportions and placement.

  2. step 02

    Block in the sky with a thin layer of blue, leaving some areas for the building to overlap.

  3. step 03

    Apply a base layer of white mixed with a touch of yellow or gray to the building, capturing the overall light.

  4. step 04

    Add shadows to the building using mixtures of white, gray, blue, and a touch of brown.

  5. step 05

    Paint the figures with simplified shapes and colors, focusing on their silhouettes and interaction with the light.

  6. step 06

    Add details to the building, such as windows, architectural elements, and the dome's structure, using small brushstrokes.

  7. step 07

    Refine the colors and values throughout the painting, adjusting the light and shadow to create depth.

  8. step 08

    Add final touches, such as highlights and small details, to enhance the overall impression.

color palette

primary · titanium white · ultramarine blue · yellow ochre

secondary · burnt umber · viridian green · cadmium red

Mix various shades of white with small amounts of blue, yellow, and brown to create the subtle variations in the building's color. Use green for the dome and accents, and red/brown for the figures.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color mixing
  • ·blocking in

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Creating muddy colors by over-mixing.
  • →Failing to capture the subtle variations in light and shadow.
  • →Not simplifying the complex architectural details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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