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home·artworks·Morning, Nogales, Arizona
Morning, Nogales, Arizona by Charles Reiffel

plate no. 2282

Morning, Nogales, Arizona

Charles Reiffel, 1928

oilPost-Impressionismlandscapecityscapemountainsbuildingsskytreeslandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and broken color techniques to create depth and texture. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountains, cityscape, and foreground elements, paying attention to their relative sizes and positions.

  2. step 02

    Establish a basic value structure by blocking in the darks, mid-tones, and lights with thin washes of color.

  3. step 03

    Begin layering colors, focusing on capturing the overall color harmony and atmospheric perspective.

  4. step 04

    Use broken color techniques to create texture and visual interest in the mountains, buildings, and foliage.

  5. step 05

    Refine the details of the buildings and foreground elements, paying attention to their shapes and values.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Blend and soften edges as needed to create a sense of atmosphere.

  8. step 08

    Add final details and adjust values to achieve the desired effect.

color palette

primary · ultramarine blue · yellow ochre · raw umber · titanium white

secondary · burnt sienna · viridian green

Mix greens by combining yellow ochre and ultramarine blue. Create atmospheric effects by adding white to colors and layering them thinly.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·layering
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details
  • →Failing to establish a strong value structure
  • →Using colors that are too saturated
  • →Ignoring atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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