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home·artworks·Monument in the Plaza, New York
Monument in the Plaza, New York by John French Sloan

plate no. 9191

Monument in the Plaza, New York

John French Sloan, 1949

oil, panel, temperaNew Realismgenre paintingplazamonumenttreesfigurescityscapepark
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding how to depict figures in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the monument, trees, and figures.

  2. step 02

    Block in the large areas of color, such as the sky, trees, and ground, using thin washes.

  3. step 03

    Begin building up the texture of the trees and ground with short, broken brushstrokes.

  4. step 04

    Add details to the monument, paying attention to the light and shadow.

  5. step 05

    Paint the figures, starting with the larger shapes and gradually adding details.

  6. step 06

    Refine the colors and values throughout the painting, creating a sense of depth and atmosphere.

  7. step 07

    Add final details, such as the highlights on the trees and figures.

  8. step 08

    Glaze to unify the colors and add depth.

color palette

primary · sap green · yellow ochre · burnt sienna · ultramarine blue

secondary · cadmium red · titanium white · raw umber

Mix greens by combining yellow ochre and ultramarine blue, and vary the tones by adding white or burnt sienna. Use burnt sienna and yellow ochre for the monument, adjusting the values with white and raw umber.

techniques

  • ·broken color
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using too much paint and creating a muddy effect.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the trees and ground.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·oil paints
  • ·tempera paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a high-quality canvas and paints for best results. Consider using a medium to thin the paints and improve flow.

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