
plate no. 5520
Maurice Prendergast, 1907
Recreating this painting will help students develop skills in loose watercolor washes and capturing the essence of a busy scene with simplified forms. It also encourages observation of color variations in urban environments.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the buildings and the overall composition.
Apply a light wash of diluted yellow ochre and burnt sienna to the entire paper as a base tone.
Begin adding the sky with a diluted blue, allowing it to blend with the base wash.
Paint the buildings using a variety of muted colors, focusing on capturing the light and shadow patterns.
Add details to the buildings like windows and rooftops with darker tones.
Paint the figures and carriages in the foreground with quick, gestural brushstrokes.
Use a fine brush to add small details and accents, such as the awnings and architectural details.
Allow the painting to dry completely and add any final touches or corrections.
color palette
primary · yellow ochre · burnt sienna · ultramarine blue
secondary · raw umber · cadmium red · sap green
Mix yellow ochre with burnt sienna for the warm tones of the buildings. Use ultramarine blue diluted for the sky. Create muted greens by mixing yellow ochre and ultramarine blue with a touch of burnt sienna.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paints for best results. Experiment with different types of watercolor paper to find one that suits your style.
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