apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mont-Cenis street in the Snow
Mont-Cenis street in the Snow by Maurice Utrillo

plate no. 9266

Mont-Cenis street in the Snow

Maurice Utrillo

oil, canvasPost-Impressionismcityscapebuildingsstreetsnowtreescityscapewalls
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the mood of a winter scene using a limited color palette. It also provides practice in simplifying complex architectural forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and street, paying attention to perspective.

  2. step 02

    Block in the sky with a muted gray-green tone.

  3. step 03

    Establish the main color masses for the buildings and walls, using a limited palette.

  4. step 04

    Add shadows and highlights to create depth and form.

  5. step 05

    Paint the snow on the ground, using subtle variations in color to suggest texture.

  6. step 06

    Add the bare trees, using thin, delicate brushstrokes.

  7. step 07

    Refine the details of the buildings and walls, adding windows and other architectural elements.

  8. step 08

    Add final touches and highlights to enhance the overall effect.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · Prussian blue · burnt sienna

Mix muted grays and greens by combining raw umber, titanium white, and small amounts of Prussian blue. Use yellow ochre to create warm tones for the buildings and walls. Add burnt sienna to deepen shadows.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·limited palette
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Using colors that are too bright or saturated.
  • →Ignoring the importance of atmospheric perspective.
  • →Not simplifying the architectural forms enough.
  • →Creating mud by over-mixing colors.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·Prussian blue oil paint
  • ·burnt sienna oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

A slightly textured canvas will enhance the dry brush effect. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov