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home·artworks·Monsieur Louis Pascal
Monsieur Louis Pascal by Henri de Toulouse-Lautrec

plate no. 7765

Monsieur Louis Pascal

Henri de Toulouse-Lautrec, 1891

oil, boardPost-Impressionismportraitportraitfiguremantop hatcigardoor
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and expression, as well as understanding how to use visible brushstrokes to create form and texture. It's also a good exercise in simplifying a complex subject into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure, hat, and background elements, paying attention to proportions.

  2. step 02

    Establish the overall color scheme by applying thin washes of color to the background and main areas of the figure.

  3. step 03

    Begin building up the values and details of the face, focusing on capturing the likeness and expression.

  4. step 04

    Work on the clothing, using visible brushstrokes to create texture and form.

  5. step 05

    Add details to the hat, cigar, and cane, paying attention to highlights and shadows.

  6. step 06

    Refine the background, adding subtle variations in color and texture.

  7. step 07

    Adjust the overall composition, ensuring that the focal point is the figure's face.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · cadmium red · titanium white

Mixes of ultramarine and burnt umber create the dark tones for the suit and hat. Yellow ochre and white are used for the skin tones, with touches of red for the cheeks. The background is a mix of blues, browns, and whites.

techniques

  • ·visible brushstrokes
  • ·color mixing
  • ·portraiture
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Failing to capture the likeness of the figure.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

A slightly textured canvas will help to enhance the visible brushstrokes. Use a medium to thin the paint and improve flow.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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