apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Monks in the library
Monks in the library by Jesús Meneses del Barco

plate no. 6852

Monks in the library

Jesús Meneses del Barco, 1949

oilContemporary Realismgenre paintingfiguresmonksbookstableinteriorrobes
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a dimly lit environment and understanding how light interacts with folds in fabric. It also provides practice in creating a sense of depth and atmosphere using tonal values.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the composition and the placement of figures and objects.

  2. step 02

    Establish the overall tonal range by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Begin refining the figures, paying attention to the proportions and anatomical details.

  4. step 04

    Develop the folds and drapery of the robes, using highlights and shadows to create volume.

  5. step 05

    Paint the table and books, focusing on their textures and the way light reflects off their surfaces.

  6. step 06

    Refine the background, adding subtle details to create a sense of depth and atmosphere.

  7. step 07

    Add final highlights and shadows to enhance the overall sense of realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and create subtle color variations.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ivory black

Achieve the muted tones by mixing raw umber and white, adding small amounts of yellow ochre or burnt sienna for warmth. Use ivory black sparingly to darken shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·tonal painting
  • ·rendering fabric

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines instead of soft transitions between light and shadow.
  • →Failing to establish a strong tonal foundation.
  • →Using colors that are too saturated, resulting in a painting that lacks atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a canvas with a smooth texture to facilitate blending and glazing. Consider using a toned canvas to establish a mid-tone base.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Fifth Ave

Fifth Ave

Pietropoli Patrick

July

July

Fairfield Porter

Tresco

Tresco

John Miller

Pope John Paul II

Pope John Paul II

Nelson Shanks

Dog and Groom

Dog and Groom

Alex Colville

Beach with Palm

Beach with Palm

John Miller

Au Wihlering II

Au Wihlering II

Gazmend Freitag

Dan Cowan

Dan Cowan

Richard Whitney