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home·artworks·Mob Victim (Meditation)
Mob Victim (Meditation) by Lois Mailou Jones

plate no. 3898

Mob Victim (Meditation)

Lois Mailou Jones, 1944

oilPost-Impressionismportraitfigureportraittreesfoliageskyrope
some experience helpful

Recreating this painting will help students develop skills in portraiture, capturing skin tones, and creating depth through layering and brushwork. It also provides practice in depicting textures like fabric and rope.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and background elements.

  2. step 02

    Establish the main value structure using a limited palette of earth tones.

  3. step 03

    Begin blocking in the skin tones, paying attention to the subtle variations in color and value.

  4. step 04

    Develop the details of the face, focusing on the eyes, nose, and mouth.

  5. step 05

    Paint the shirt and pants, using visible brushstrokes to create texture and movement.

  6. step 06

    Add the rope detail, carefully observing the highlights and shadows.

  7. step 07

    Paint the background foliage and trees, using a variety of greens and browns.

  8. step 08

    Refine the details and adjust the values to create a cohesive and dynamic composition.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · sap green · cadmium red

Mix various shades of brown and gray by combining burnt umber, ultramarine blue, and white. Achieve skin tones by blending burnt umber, cadmium red, yellow ochre, and white.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·portraiture
  • ·layering

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle variations in skin tone.
  • →Creating a flat or lifeless composition by neglecting the value structure.
  • →Inaccurately capturing the proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (ultramarine blue, burnt umber, titanium white, yellow ochre, sap green, cadmium red)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas for optimal texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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