apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mirmande
Mirmande by André Lhote

plate no. 9978

Mirmande

André Lhote, 1932

oilPost-Impressionismlandscapelandscapebuildingshillsvillageskytrees
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and understanding atmospheric perspective to create depth. It also provides practice in using a limited color palette to create a harmonious and unified painting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: horizon line, hills, and the basic forms of the buildings.

  2. step 02

    Establish the overall color scheme by blocking in large areas of color for the sky, hills, and buildings.

  3. step 03

    Begin refining the shapes of the buildings, paying attention to their relative sizes and positions.

  4. step 04

    Add details to the landscape, such as the fields and trees, using broken brushstrokes.

  5. step 05

    Introduce variations in color and value to create depth and interest in the buildings and landscape.

  6. step 06

    Define the edges of the buildings and landscape with darker tones to create contrast.

  7. step 07

    Add highlights to the buildings and landscape to create a sense of light and shadow.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious and balanced composition.

color palette

primary · yellow ochre · ultramarine blue · raw umber

secondary · burnt sienna · titanium white

Mix greens by combining ultramarine blue and yellow ochre. Create muted tones by adding raw umber to the primary colors. Use white to lighten values and create atmospheric perspective.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·simplified shapes
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking details
  • →Using too many colors
  • →Ignoring the overall composition
  • →Not establishing a clear light source

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·#6 round brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to allow for broken color effects. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov