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Midwest by Thomas Hart Benton

plate no. 4346

Midwest

Thomas Hart Benton, 1931

canvas, temperaRegionalismgenre paintingfarmingloggingfigurescornmachineryindustry
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with multiple figures and understanding how to create depth through overlapping forms and atmospheric perspective. Students will also learn to mix and apply colors to create a sense of realism and texture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch, dividing the canvas into two main sections representing the farming and logging scenes.

  2. step 02

    Block in the major shapes and forms in each section, paying attention to the overall composition and balance.

  3. step 03

    Establish the basic color palette for each section, focusing on the dominant colors and values.

  4. step 04

    Begin to develop the details in the farming scene, including the figures, machinery, and cornfields.

  5. step 05

    Work on the logging scene, focusing on the figures, logs, and the steam engine in the background.

  6. step 06

    Refine the details in both sections, adding highlights, shadows, and textures to create depth and realism.

  7. step 07

    Pay close attention to the transitions between the two scenes, ensuring a cohesive and unified composition.

  8. step 08

    Add final touches and adjustments to complete the painting.

color palette

primary · ochre · burnt umber · ultramarine blue · titanium white

secondary · cadmium red · viridian · yellow ochre

Mix various shades of brown and green by combining the primary colors. Use white to lighten the colors and create highlights. Achieve the sky color by mixing blue and white with a touch of red for a subtle warmth.

techniques

  • ·blocking in
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early.
  • →Failing to establish a strong value structure.
  • →Ignoring the importance of color harmony.
  • →Not paying attention to the proportions of the figures and objects.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·retarder medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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