apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Middle Easterner with Pipe
Middle Easterner with Pipe by Nikolaos Gyzis

plate no. 9046

Middle Easterner with Pipe

Nikolaos Gyzis, 1873

oil, panelOrientalismportraitportraitfiguremanpipeturbanclothing
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practicing chiaroscuro to create depth and form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and pipe.

  2. step 02

    Establish the dark background with a thin layer of dark brown or black.

  3. step 03

    Block in the main shapes of the figure, using a limited palette of earth tones and reds.

  4. step 04

    Begin building up the values, starting with the darkest shadows and gradually adding highlights.

  5. step 05

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  6. step 06

    Add details to the turban, pipe, and clothing, using smaller brushes and finer strokes.

  7. step 07

    Blend and soften edges as needed to create a sense of realism.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · raw sienna · cadmium red · titanium white

secondary · yellow ochre · ultramarine blue · ivory black

Mix various shades of brown and red by combining burnt umber, raw sienna, and cadmium red. Use white to lighten these colors for highlights, and a touch of blue or black to darken them for shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·alla prima

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to create a convincing sense of depth and form.
  • →Inaccurate skin tone mixing.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, raw sienna, cadmium red, titanium white, yellow ochre, ultramarine blue, ivory black)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags or paper towels

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

Hermann David Salomon Corrodi

Young Rider With A Rifle

Young Rider With A Rifle

Nasreddine Dinet

The Harem Dance

The Harem Dance

Giulio Rosati

Little Girl

Little Girl

Nikolaos Gyzis

The arms merchant

The arms merchant

Gustavo Simoni

Oriental woman

Oriental woman

Jean-François Portaels

A Bedouin Encampment

A Bedouin Encampment

Eugène Girardet

The sphinx of Geezah

The sphinx of Geezah

Carl Haag