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Me and My Parrots by Frida Kahlo

plate no. 3105

Me and My Parrots

Frida Kahlo, 1941

oil, canvasNaïve Art (Primitivism)self-portraitportraitFrida Kahloparrotsfigureclothingjewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and rendering textures like feathers and fabric. It also provides practice in capturing likeness and conveying a sense of personality.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, parrots, and background.

  2. step 02

    Establish the overall color scheme by blocking in the main areas of color.

  3. step 03

    Begin refining the skin tones, paying attention to subtle variations in color and value.

  4. step 04

    Work on the details of the parrots, focusing on capturing the texture and color variations of their feathers.

  5. step 05

    Add details to the clothing, including the stripes on the sleeves and the folds in the fabric.

  6. step 06

    Refine the background, creating a sense of depth and atmosphere.

  7. step 07

    Add the jewelry and other small details, such as the cigarette.

  8. step 08

    Make final adjustments to the colors, values, and details to create a cohesive and polished painting.

color palette

primary · yellow ochre · burnt umber · titanium white · ultramarine blue

secondary · cadmium red · violet · sap green · raw sienna

Achieve skin tones by mixing yellow ochre, burnt umber, and titanium white, adding small amounts of cadmium red for warmth. Mix various greens and blues with white for the parrots.

techniques

  • ·portrait painting
  • ·color mixing
  • ·feather rendering
  • ·glazing
  • ·blending

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Oversimplifying the skin tones.
  • →Failing to capture the texture of the feathers.
  • →Making the background too distracting.
  • →Not paying attention to the details.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints (yellow ochre, burnt umber, titanium white, ultramarine blue, cadmium red, violet, sap green, raw sienna)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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