apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Maximilian Daublebsky von Sterneck, Austrian admiral
Maximilian Daublebsky von Sterneck, Austrian admiral by Josef Kriehuber

plate no. 2477

Maximilian Daublebsky von Sterneck, Austrian admiral

Josef Kriehuber, 1866

lithographyBiedermeierportraitportraitfiguremilitary uniformmanhistorical
some experience helpful

Recreating this portrait will help students develop skills in accurate proportion, shading techniques, and rendering fine details. It provides practice in creating subtle value gradations to achieve a realistic likeness.

technical profile

palette complexity
2
brushwork visibility
2
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic proportions and pose of the figure.

  2. step 02

    Refine the sketch, paying close attention to the facial features and the details of the uniform.

  3. step 03

    Start shading with light, even strokes, building up the darker areas gradually.

  4. step 04

    Focus on creating smooth transitions between light and shadow to define the form.

  5. step 05

    Add details to the uniform, such as the buttons, medals, and epaulettes.

  6. step 06

    Refine the hair and beard, using short, precise strokes to create texture.

  7. step 07

    Pay attention to the background, ensuring it is evenly toned and does not distract from the figure.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · ivory black · titanium white

secondary · payne's gray · raw umber

Mix ivory black and titanium white to create various shades of gray. Use payne's gray for cooler shadows and raw umber for warmer tones.

techniques

  • ·hatching
  • ·cross-hatching
  • ·blending
  • ·value studies
  • ·portraiture

common pitfalls

  • →Incorrect proportions can ruin the likeness. Double-check measurements frequently.
  • →Overworking the details can make the portrait look stiff. Keep the strokes loose and natural.
  • →Uneven shading can create a patchy effect. Blend the tones carefully.
  • →Ignoring the background can make the portrait look unfinished. Ensure it is evenly toned and does not distract from the figure.

materials

surface · smooth drawing paper

required

  • ·Graphite pencils (HB, 2B, 4B)
  • ·Eraser
  • ·Blending stumps
  • ·Drawing paper (smooth surface)
  • ·Ruler
  • ·Reference image

optional

  • ·Kneaded eraser
  • ·Tortillon
  • ·Sandpaper block

Use a high-quality drawing paper that can withstand multiple layers of shading. Keep pencils sharp for fine details.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Samuel Aba

Samuel Aba

Josef Kriehuber

Not Married

Not Married

Charles Spencelayh

Maid with a Letter

Maid with a Letter

Peter Fendi

Forest landscape

Forest landscape

Josef Kriehuber

The Broken Leg

The Broken Leg

Charles Spencelayh

Arts and Science

Arts and Science

Carl Spitzweg

Antonio Tamburini, Italian Baritone

Antonio Tamburini, Italian Baritone

Josef Kriehuber

Lady portrait

Lady portrait

Peter Fendi