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home·artworks·Maurizio Parys
Maurizio Parys by Jan Matejko

plate no. 7211

Maurizio Parys

Jan Matejko

oilAcademicismportraitportraitfiguremanclothingfurformal wear
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including proportion, likeness, and rendering of skin tones and fabric textures. It also offers practice in creating a sense of depth and form through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the placement of the head, shoulders, and hands.

  2. step 02

    Establish the main light source and map out the areas of light and shadow on the face and clothing.

  3. step 03

    Begin blocking in the background with a muted, neutral color.

  4. step 04

    Start with the face, mixing skin tones using a limited palette and gradually building up layers of color and detail.

  5. step 05

    Move on to the clothing, focusing on the folds and textures of the fabric.

  6. step 06

    Pay close attention to the fur collar, using short, broken brushstrokes to create the illusion of individual hairs.

  7. step 07

    Refine the details of the face and hands, adding highlights and shadows to create a sense of realism.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values and colors are balanced.

color palette

primary · yellow ochre · burnt umber · ivory black · titanium white

secondary · raw sienna · cadmium red light · ultramarine blue

Mix skin tones by combining yellow ochre, burnt umber, and titanium white, adding small amounts of cadmium red for warmth and ultramarine blue for shadows. Achieve the dark tones of the clothing by mixing ivory black and burnt umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Getting the proportions wrong
  • →Overworking the details
  • →Using too much color
  • →Failing to create a sense of depth

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·medium gloss
  • ·varnish
  • ·easel
  • ·rags

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for the painting.

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oil painting for beginners →how to learn by studying the masters →
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