
plate no. 2652
Bela Czobel, 1928
Recreating this painting will help students develop skills in layering paint and creating texture with visible brushstrokes. It also provides practice in observing and representing a variety of objects with different shapes and surfaces.
technical profile
approach — 8 steps
Sketch the basic shapes and composition of the objects on the canvas, paying attention to their relative sizes and positions.
Block in the main color areas for each object and the background, using thin washes of paint.
Start building up layers of paint, adding more detail and refining the shapes and colors.
Use thicker paint and visible brushstrokes to create texture and add interest to the painting.
Pay attention to the light and shadow on the objects, and use these to create depth and form.
Add the final details, such as the strings on the mandolin and the features on the mask.
Step back and evaluate the painting, making any necessary adjustments to the colors, values, and composition.
Allow the painting to dry completely.
color palette
primary · yellow ochre · burnt umber · ultramarine blue
secondary · titanium white · cadmium yellow · alizarin crimson
Mix yellow ochre and burnt umber for the warm browns of the mandolin and table. Use ultramarine blue and white for the window and shadows. Add small amounts of alizarin crimson to warm up the browns and yellows.
techniques
common pitfalls
surface · stretched canvas
required
optional
A medium-sized canvas (e.g., 16x20 inches) is recommended. Use good quality brushes for best results. Consider using a painting medium to improve the flow and blending of the paint.
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