apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Market Square of Warsaw by Night
Market Square of Warsaw by Night by Józef Pankiewicz

plate no. 2840

Market Square of Warsaw by Night

Józef Pankiewicz, 1892

oilPost-Impressionismcityscapecityscapenightbuildingsstreetlightsreflection
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle nuances of light and shadow in a nocturnal scene. It will also improve their understanding of color mixing to achieve muted and realistic tones.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a dark neutral color like burnt umber or raw sienna.

  2. step 02

    Lightly sketch the basic shapes of the buildings and street layout, focusing on perspective.

  3. step 03

    Block in the darkest areas of the painting, paying attention to the overall value structure.

  4. step 04

    Begin adding the lighter areas, focusing on the light sources and their reflections.

  5. step 05

    Develop the details of the buildings and street, using small brushstrokes to create texture.

  6. step 06

    Carefully add the highlights and reflections on the wet pavement.

  7. step 07

    Refine the details of the street lamps and the light they cast.

  8. step 08

    Add final touches and adjust the values to create a cohesive and atmospheric scene.

color palette

primary · ivory black · burnt umber · yellow ochre

secondary · ultramarine blue · raw sienna · cadmium yellow

Mix black and umber to create deep shadows. Use yellow ochre and cadmium yellow sparingly to create the glow of the streetlights. Add small amounts of blue to darken the shadows and create atmospheric depth.

techniques

  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·value studies

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Making the colors too bright or saturated.
  • →Failing to create a convincing sense of depth and distance.
  • →Not paying attention to the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·easel

A toned canvas will help to establish the dark values of the painting. Use high-quality oil paints for best results.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov