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home·artworks·Market Square in Front of the Sacristy and Doorway of the Cathedral, Granada
Market Square in Front of the Sacristy and Doorway of the Cathedral, Granada by Edwin Lord Weeks

plate no. 8380

Market Square in Front of the Sacristy and Doorway of the Cathedral, Granada

Edwin Lord Weeks

oilOrientalismcityscapebuildingsmarketfiguresanimalscityscapearchitecture
some experience helpful

Recreating this painting will help students develop skills in perspective, rendering textures of stone and fabric, and creating atmospheric depth through tonal variations. It also provides practice in depicting figures and animals in a realistic setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and perspective of the buildings and the market area.

  2. step 02

    Establish the horizon line and vanishing points to ensure accurate perspective.

  3. step 03

    Block in the main areas of color, focusing on the overall warm tones of the buildings and the cooler tones of the shadows.

  4. step 04

    Start adding details to the architecture, such as the arches, windows, and decorative elements.

  5. step 05

    Paint the figures and animals, paying attention to their proportions and placement within the scene.

  6. step 06

    Develop the textures of the stone walls and the cobblestone ground using layering and dry brush techniques.

  7. step 07

    Refine the details and add highlights and shadows to create depth and dimension.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the atmosphere.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · ultramarine blue · raw sienna · cadmium yellow

Achieve the warm tones of the buildings by mixing yellow ochre, burnt umber, and titanium white. Use ultramarine blue to create cooler shadows and atmospheric effects. Mix raw sienna and cadmium yellow for highlights.

techniques

  • ·perspective drawing
  • ·tonal layering
  • ·dry brush texture
  • ·atmospheric perspective
  • ·glazing

common pitfalls

  • →Incorrect perspective leading to distorted buildings
  • →Overworking details before establishing overall values
  • →Using colors that are too saturated and unrealistic
  • →Ignoring the importance of atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-textured canvas to facilitate the application of dry brush techniques. Consider using a toned canvas to establish a base color and simplify the painting process.

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oil painting for beginners →how to learn by studying the masters →
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