
plate no. 3276
Masaccio, 1426
Recreating this painting will help students understand how to render drapery folds and create a sense of depth using subtle value changes. It also provides practice in painting figures and faces with soft, realistic features.
technical profile
approach — 8 steps
Lightly sketch the main shapes: the Madonna, child, angels, and architectural elements.
Establish the basic color blocks for the background, figures, and drapery.
Begin layering the skin tones, focusing on subtle value changes to create form.
Develop the drapery folds with darker shadows and lighter highlights.
Add details to the faces, halos, and musical instruments.
Paint the architectural details, paying attention to perspective.
Apply gold leaf or paint for the halos and decorative elements.
Refine the details and adjust values as needed.
color palette
primary · ultramarine blue · red ochre · titanium white · yellow ochre
secondary · burnt umber · raw sienna · gold
Mix ultramarine blue with white for the Madonna's robe, adding small amounts of umber for shadows. Use red ochre and white for the angels' robes, adjusting the ratio for different shades. Mix yellow ochre and white for the gold effect.
techniques
common pitfalls
surface · stretched canvas
required
optional
Using a smooth canvas will help achieve the soft, blended look of the original painting. Tempera is the original medium, but oil paints can be used to achieve a similar effect.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
related guides
in this vein

Madonna Enthroned with Saints
Filippo Lippi

Christ the Judge (detali)
Fra Angelico

The Dead Christ Supported by an Angel
Antonello da Messina

St. Michael and St. John
Álvaro Pires de Évora

Penitent St. Jerome
Fra Angelico

The Madonna and Child with the Infant Saint John the Baptist
Sandro Botticelli

Coronation of the Virgin (detail)
Filippo Lippi

Adoration of the Child
Filippino Lippi