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home·artworks·Margitka
Margitka by Bertalan Por

plate no. 4864

Margitka

Bertalan Por, 1938

oilPost-Impressionismportraitportraitfigurewomanshawlheadscarfclothing
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and capturing likeness through simplified forms and color blocking. It also encourages exploration of color temperature and value relationships to create depth and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure.

  2. step 02

    Block in the large areas of color, focusing on the overall value structure.

  3. step 03

    Establish the background with broad strokes of dark color.

  4. step 04

    Refine the facial features, paying attention to the planes of the face and the placement of shadows.

  5. step 05

    Add details to the shawl and clothing, using short, expressive brushstrokes.

  6. step 06

    Adjust the colors and values as needed to create a sense of depth and form.

  7. step 07

    Add final highlights and details to the face and clothing.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · titanium white · burnt umber · cadmium red · ultramarine blue

secondary · yellow ochre · raw sienna

Mix various shades of brown and gray by combining burnt umber, ultramarine blue, and titanium white. Achieve the skin tones by mixing cadmium red, yellow ochre, and titanium white, adjusting the proportions to create warm and cool variations.

techniques

  • ·color blocking
  • ·expressive brushwork
  • ·scumbling
  • ·dry brush
  • ·layering

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Getting the proportions wrong in the initial sketch.
  • →Not paying attention to the value structure and creating a flat image.
  • →Using too much paint and creating a muddy effect.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, burnt umber, cadmium red, ultramarine blue, yellow ochre, raw sienna)
  • ·palette
  • ·assorted brushes (flat and round)
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish

Use a medium-textured canvas to enhance the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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