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home·artworks·Manifestacion, (Demonstration)
Manifestacion, (Demonstration) by Antonio Berni

plate no. 4236

Manifestacion, (Demonstration)

Antonio Berni, 1934

oilSocial Realismgenre paintingfigurescrowdbuildingsprotesturbanfaces
experienced study

Recreating this painting will help students develop skills in portraiture, particularly rendering realistic skin tones and facial features, as well as understanding complex compositions with many figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and placement of the figures and buildings.

  2. step 02

    Establish the background colors, focusing on the sky and building tones.

  3. step 03

    Block in the main areas of color for each figure, paying attention to the overall value structure.

  4. step 04

    Start refining the facial features of the figures in the foreground, focusing on accurate proportions and expressions.

  5. step 05

    Develop the mid-ground figures, simplifying details but maintaining accurate values.

  6. step 06

    Add highlights and shadows to create depth and volume in the figures.

  7. step 07

    Refine the details of the clothing and accessories.

  8. step 08

    Add final touches and adjustments to the overall composition and color balance.

color palette

primary · burnt umber · ultramarine blue · yellow ochre · titanium white

secondary · cadmium red · raw sienna · ivory black

Achieve skin tones by mixing burnt umber, yellow ochre, and titanium white, adjusting proportions for different complexions. Use ultramarine blue and burnt umber for darker shadows and background tones. Add small amounts of cadmium red to warm up skin tones.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·color mixing
  • ·layering

common pitfalls

  • →Getting bogged down in excessive detail too early.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of facial features.
  • →Overworking the painting and losing freshness.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, ultramarine blue, yellow ochre, titanium white, cadmium red, raw sienna, ivory black)
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering.

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oil painting for beginners →how to learn by studying the masters →
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