apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Man seated by a window
Man seated by a window by Marcel Duchamp

plate no. 7439

Man seated by a window

Marcel Duchamp, 1907

oil, canvasPost-Impressionismgenre paintingfigurewindowgardentreesnewspaperinterior
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with visible brushstrokes and mixing colors to create a sense of depth and atmosphere. It also provides practice in depicting a figure in a relaxed pose within an environment.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 7 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the figure, window, and background elements.

  2. step 02

    Block in the large areas of color, starting with the background and working towards the foreground.

  3. step 03

    Develop the figure's form using broken brushstrokes and subtle color variations.

  4. step 04

    Add details to the window frame and garden, using a variety of brushstrokes to create texture and interest.

  5. step 05

    Refine the highlights and shadows to enhance the sense of depth and form.

  6. step 06

    Pay attention to the color temperature and adjust the colors as needed to create a harmonious composition.

  7. step 07

    Add final details, such as the pipe and newspaper, to complete the painting.

color palette

primary · titanium white · ultramarine blue · burnt sienna · cadmium yellow

secondary · alizarin crimson · viridian green

Mix various shades of green for the foliage by combining yellow, blue, and a touch of burnt sienna. Achieve skin tones by blending white, sienna, crimson, and a hint of blue. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·alla prima
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the spontaneity of the brushstrokes.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the subtle color variations in the light and shadow.
  • →Ignoring the overall composition and focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a medium-textured canvas to allow the paint to adhere well. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov