apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Man Looking Up
Man Looking Up by Matthias Grünewald

plate no. 3767

Man Looking Up

Matthias Grünewald, 1524

chalk, paperNorthern Renaissanceportraitportraitmanfigurehairhandsclothing
some experience helpful

Recreating this drawing will help students understand value shading and how to create form using subtle tonal variations. It also provides practice in rendering realistic textures like hair and fabric.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall proportions and pose of the figure.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Begin shading the darkest areas, gradually building up the values.

  4. step 04

    Pay close attention to the contours of the face and hands, using cross-hatching to create depth.

  5. step 05

    Render the hair with loose, flowing strokes, varying the pressure to create highlights and shadows.

  6. step 06

    Add details to the clothing, focusing on the folds and wrinkles.

  7. step 07

    Refine the overall drawing, adjusting the values and adding subtle details.

  8. step 08

    Soften edges and blend areas as needed to create a smooth, realistic effect.

color palette

primary · charcoal gray · white

secondary · sepia

Varying pressure and layering are key to achieving the different shades of gray. Sepia can be used sparingly to add warmth to the shadows.

techniques

  • ·value shading
  • ·cross-hatching
  • ·blending
  • ·contour drawing
  • ·hatching

common pitfalls

  • →Overworking the drawing and losing the freshness of the initial sketch.
  • →Failing to establish a clear light source, resulting in flat, lifeless forms.
  • →Ignoring the subtle variations in value, leading to a lack of depth and realism.
  • →Not paying attention to proportions and anatomy, resulting in an inaccurate likeness.

materials

surface · drawing paper (smooth or slightly textured)

required

  • ·charcoal pencils (various grades)
  • ·drawing paper (smooth or slightly textured)
  • ·kneaded eraser
  • ·blending stumps
  • ·fixative spray
  • ·ruler

optional

  • ·sepia pencil
  • ·tortillon

Using a range of charcoal pencil grades will allow for greater control over value shading. Fixative spray is essential to prevent smudging.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to draw →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley