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home·artworks·Main Square in Nagybánya
Main Square in Nagybánya by Lajos Tihanyi

plate no. 7792

Main Square in Nagybánya

Lajos Tihanyi, 1908

oilPost-Impressionismcityscapebuildingstowntreesskystreetchurch
some experience helpful

Recreating this painting will help students practice simplifying complex scenes into basic shapes and using color to create depth and atmosphere. It also provides practice in depicting perspective in a somewhat abstracted style.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, church, and landscape, focusing on their relative sizes and positions.

  2. step 02

    Block in the large areas of color for the sky, ground, buildings, and trees using thin washes.

  3. step 03

    Add darker values to define the shadows and create depth in the buildings and trees.

  4. step 04

    Introduce the secondary colors to add interest and variation to the color palette.

  5. step 05

    Refine the details of the buildings, such as windows and roof lines, using thicker paint.

  6. step 06

    Add highlights to the buildings and trees to create a sense of light and form.

  7. step 07

    Use short, broken brushstrokes to create texture in the trees and ground.

  8. step 08

    Add final details and adjust colors as needed to achieve the desired effect.

color palette

primary · yellow ochre · burnt umber · sap green

secondary · cadmium red · ultramarine blue · titanium white

Mix yellow ochre with burnt umber and white to achieve the various shades of the buildings. Use ultramarine blue and burnt umber to create the darker greens. Add cadmium red to the ground color for warmth.

techniques

  • ·blocking in
  • ·broken brushstrokes
  • ·color mixing
  • ·layering
  • ·simplification

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Using colors that are too saturated and not blending them sufficiently.
  • →Failing to establish a clear sense of perspective.
  • →Not simplifying the complex shapes of the buildings and trees.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Acrylic or oil paints
  • ·Round brushes (#2, #6)
  • ·Flat brush (#8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil or acrylic medium

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a medium-textured canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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