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home·artworks·Mail Service in the Arctic
Mail Service in the Arctic by Rockwell Kent

plate no. 6829

Mail Service in the Arctic

Rockwell Kent, 1937

oilRegionalismgenre paintingfiguresairplanesledreindeersnowarctic
some experience helpful

Recreating this painting will help students develop skills in figure drawing, composition with multiple subjects, and creating a sense of depth through layering and atmospheric perspective. It also provides an opportunity to practice color mixing to achieve muted and harmonious tones.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the figures, airplane, and sled.

  2. step 02

    Establish the horizon line and the basic shapes of the mountains and sky.

  3. step 03

    Block in the large areas of color, starting with the sky and ground.

  4. step 04

    Begin adding details to the figures, paying attention to the folds in their clothing and the shapes of their faces.

  5. step 05

    Paint the airplane, focusing on its geometric shapes and the light reflecting off its surface.

  6. step 06

    Add details to the sled and reindeer, paying attention to their textures and forms.

  7. step 07

    Refine the colors and values throughout the painting, creating a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · burnt umber · ultramarine blue · titanium white

secondary · cadmium red · yellow ochre

Achieve the muted tones by mixing complementary colors (e.g., burnt umber and ultramarine blue) with white. Use small amounts of cadmium red and yellow ochre to add warmth to certain areas.

techniques

  • ·blocking in
  • ·layering
  • ·blending
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the colors and losing the muted tones.
  • →Failing to create a sense of depth and atmosphere.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x36 inches)
  • ·oil paints (burnt umber, ultramarine blue, titanium white, cadmium red, yellow ochre)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

A larger canvas will allow for more detail. Consider using a toned canvas to help establish the overall color scheme.

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oil painting for beginners →how to learn by studying the masters →
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