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home·artworks·Madonna Enthroned
Madonna Enthroned by Filippo Lippi

plate no. 7907

Madonna Enthroned

Filippo Lippi, 1447

panel, temperaEarly Renaissancereligious paintingMadonnachildreligious figurethroneinteriorbook
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through subtle value changes. It also provides practice in mixing skin tones and achieving a smooth, blended finish.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and throne.

  2. step 02

    Establish the background with thin washes of color, paying attention to the light source and creating a sense of depth.

  3. step 03

    Block in the main shapes of the figures, using simplified forms and focusing on the overall value structure.

  4. step 04

    Begin to refine the details of the faces, paying close attention to the subtle shifts in value and color.

  5. step 05

    Develop the drapery, using highlights and shadows to create a sense of volume and form.

  6. step 06

    Add details to the throne and other elements, such as the book and the architectural background.

  7. step 07

    Refine the edges and blend the colors to create a smooth, polished finish.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · red ochre · raw umber · titanium white · ivory black

secondary · yellow ochre · ultramarine blue · burnt sienna

Achieve skin tones by mixing white, red ochre, and a touch of yellow ochre. Use raw umber and ivory black to create the dark tones in the drapery. Mix ultramarine blue with raw umber to create the grey tones in the background.

techniques

  • ·underpainting
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·hatching

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Using colors that are too saturated
  • →Ignoring the subtle shifts in color and value
  • →Not creating a sense of depth

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic gesso
  • ·Oil paints (red ochre, raw umber, titanium white, ivory black, yellow ochre, ultramarine blue, burnt sienna)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use a high-quality canvas and oil paints for best results. Allow each layer of paint to dry before applying the next.

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