apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Madonna and Child with two Angels
Madonna and Child with two Angels by Filippo Lippi

plate no. 8927

Madonna and Child with two Angels

Filippo Lippi, 1465

wood, temperaEarly Renaissancereligious paintingMadonnaChildAngelsFiguresLandscapeReligious
experienced study

Recreating this painting will help students develop skills in portraiture, particularly rendering realistic skin tones and drapery, as well as understanding atmospheric perspective in landscape painting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and composition.

  2. step 02

    Block in the main areas of color, starting with the background landscape.

  3. step 03

    Develop the skin tones of the figures, paying close attention to subtle variations in color and value.

  4. step 04

    Paint the drapery of the Madonna and angels, focusing on the folds and shadows.

  5. step 05

    Add details to the faces, hair, and clothing.

  6. step 06

    Refine the background landscape, adding details to the mountains and sky.

  7. step 07

    Glaze the painting with thin layers of color to create depth and luminosity.

  8. step 08

    Add final highlights and shadows to complete the painting.

color palette

primary · Ultramarine Blue · Yellow Ochre · Titanium White · Burnt Umber

secondary · Cadmium Red · Viridian

Achieve skin tones by mixing yellow ochre, titanium white, and a touch of cadmium red. Create atmospheric perspective in the landscape by adding blue to distant colors.

techniques

  • ·Portraiture
  • ·Blending
  • ·Glazing
  • ·Underpainting
  • ·Atmospheric Perspective

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to accurately capture the proportions of the figures.
  • →Ignoring the subtle variations in skin tone.
  • →Creating harsh lines and edges instead of smooth transitions.

materials

surface · Stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Titanium White oil paint
  • ·Ultramarine Blue oil paint
  • ·Yellow Ochre oil paint
  • ·Burnt Umber oil paint
  • ·Cadmium Red oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Palette

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Retouch varnish

Use high-quality oil paints for best results. Consider using a medium like linseed oil to thin the paints and improve blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Madonna Enthroned with Saints

Madonna Enthroned with Saints

Filippo Lippi

Christ the Judge (detali)

Christ the Judge (detali)

Fra Angelico

The Dead Christ Supported by an Angel

The Dead Christ Supported by an Angel

Antonello da Messina

St. Michael and St. John

St. Michael and St. John

Álvaro Pires de Évora

Penitent St. Jerome

Penitent St. Jerome

Fra Angelico

The Madonna and Child with the Infant Saint John the Baptist

The Madonna and Child with the Infant Saint John the Baptist

Sandro Botticelli

Coronation of the Virgin (detail)

Coronation of the Virgin (detail)

Filippo Lippi

Adoration of the Child

Adoration of the Child

Filippino Lippi