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home·artworks·Madonna and Child with St. Fredianus and St. Augustine
Madonna and Child with St. Fredianus and St. Augustine by Filippo Lippi

plate no. 6811

Madonna and Child with St. Fredianus and St. Augustine

Filippo Lippi, 1438

oil, panelEarly Renaissancereligious paintingMadonnaChildfiguresarchitectureangelsreligious
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in color mixing to achieve subtle skin tones and fabric textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architectural elements.

  2. step 02

    Block in the main shapes and colors of the background, including the arches and interior space.

  3. step 03

    Begin painting the figures, starting with the Madonna and Child, focusing on accurate proportions and anatomical details.

  4. step 04

    Develop the drapery of the figures' robes, paying attention to the folds and highlights to create a sense of volume.

  5. step 05

    Paint the faces and hands of the figures, carefully blending colors to achieve realistic skin tones.

  6. step 06

    Add details to the architectural elements, such as the columns and decorative patterns.

  7. step 07

    Refine the lighting and shadows throughout the painting to create depth and dimension.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · cadmium red · yellow ochre · titanium white

secondary · burnt umber · viridian · gold

Achieve skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red. Create variations in the blue drapery by adding small amounts of burnt umber or ultramarine.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·atmospheric perspective
  • ·portraiture

common pitfalls

  • →Incorrect proportions of figures
  • →flat or lifeless drapery
  • →muddy color mixing
  • →lack of depth in the background

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (ultramarine blue, cadmium red, yellow ochre, titanium white, burnt umber, viridian)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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