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home·artworks·Madonna and Child Enthroned
Madonna and Child Enthroned by Lo Scheggia

plate no. 3156

Madonna and Child Enthroned

Lo Scheggia

oilEarly Renaissancereligious paintingMadonnaChildAngelsLandscapeHaloReligious Figure
some experience helpful

Recreating this painting will help students develop skills in portraiture, drapery rendering, and creating a sense of depth through subtle value changes. It also provides practice in capturing the delicate features and expressions of figures.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and architectural elements, paying attention to proportions and placement.

  2. step 02

    Block in the basic shapes and colors of the background landscape.

  3. step 03

    Establish the main values of the figures, starting with the darkest shadows and gradually building up to the highlights.

  4. step 04

    Begin refining the details of the faces, focusing on capturing the subtle nuances of expression.

  5. step 05

    Render the drapery folds, paying attention to how light and shadow define the form.

  6. step 06

    Add the halos using gold paint or a similar metallic color.

  7. step 07

    Refine the details of the architectural elements and add any remaining details.

  8. step 08

    Apply a final glaze to unify the painting and enhance the colors.

color palette

primary · Ultramarine Blue · Titanium White · Cadmium Red Light · Yellow Ochre

secondary · Burnt Umber · Raw Sienna · Gold

Mix various shades of blue and white for the Madonna's robe. Use red and white with a touch of yellow ochre for the flesh tones. Create muted greens and browns for the landscape.

techniques

  • ·Underpainting
  • ·Glazing
  • ·Chiaroscuro
  • ·Blending
  • ·Portraiture

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth in the landscape.

materials

surface · Stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic gesso
  • ·Ultramarine Blue acrylic paint
  • ·Titanium White acrylic paint
  • ·Cadmium Red Light acrylic paint
  • ·Yellow Ochre acrylic paint
  • ·Assorted brushes (round and flat)
  • ·Palette

optional

  • ·Palette knife
  • ·Retarder medium
  • ·Gold acrylic paint
  • ·Varnish

A smooth canvas surface will be ideal for achieving the smooth blends in this painting. Consider using a medium to slow the drying time of the acrylics.

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oil painting for beginners →how to learn by studying the masters →
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