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home·artworks·Madonna and Child
Madonna and Child by Ambrogio Bergognone

plate no. 7253

Madonna and Child

Ambrogio Bergognone

oilEarly Renaissancereligious paintingMadonnaChildreligious figurebookfruitcityscape
experienced study

Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and drapery, as well as understanding composition and creating a sense of depth through atmospheric perspective in the background.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and the background cityscape.

  2. step 02

    Establish the dark background and the basic shapes of the figures with thin washes of color.

  3. step 03

    Block in the main colors of the Madonna's robes and the Child's clothing.

  4. step 04

    Begin layering and blending skin tones, paying close attention to highlights and shadows.

  5. step 05

    Add details to the book, fruit, and cityscape.

  6. step 06

    Refine the drapery folds and add the gold detailing on the robes.

  7. step 07

    Paint the halos and other symbolic elements.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ivory black · cadmium red · yellow ochre · titanium white

secondary · ultramarine blue · raw umber · gold

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber; create muted tones by mixing complementary colors.

techniques

  • ·glazing
  • ·scumbling
  • ·sfumato
  • ·underpainting
  • ·layering

common pitfalls

  • →Overworking the skin tones, resulting in a flat appearance.
  • →Failing to create a sense of depth in the background.
  • →Inaccurate proportions of the figures.
  • →Ignoring the subtle color variations in the drapery.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·damar varnish
  • ·retouch varnish

Use high-quality oil paints for best results; consider using a toned canvas to establish a base color.

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