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home·artworks·Madame Aline Gibert
Madame Aline Gibert by Henri de Toulouse-Lautrec

plate no. 7925

Madame Aline Gibert

Henri de Toulouse-Lautrec, 1887

oil, canvasPost-Impressionismportraitportraitfigureinteriorchairtablefoliage
some experience helpful

Recreating this painting will help students develop skills in capturing form with loose brushstrokes and mixing subtle color variations to create depth and texture. It also provides practice in depicting an interior scene with a focus on capturing the light and atmosphere.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the placement of the figure, chair, and table.

  2. step 02

    Block in the main color areas with thin washes, establishing the overall color scheme.

  3. step 03

    Begin building up layers of paint, using short, broken brushstrokes to define forms and create texture.

  4. step 04

    Pay attention to the light and shadow, gradually adding darker tones to create depth and dimension.

  5. step 05

    Mix subtle color variations to capture the nuances of the skin tones, clothing, and background.

  6. step 06

    Refine the details of the face and hands, using smaller brushes and more precise strokes.

  7. step 07

    Add highlights and accents to create a sense of vibrancy and energy.

  8. step 08

    Step back and assess the painting, making any final adjustments to the composition, color, or value.

color palette

primary · viridian · burnt umber · ivory black

secondary · cadmium red · yellow ochre · titanium white

Mix greens by combining viridian with yellow ochre or burnt umber. Achieve skin tones by blending white, yellow ochre, and a touch of red. Darken colors with burnt umber or ivory black.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·color layering

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle color variations and nuances of light.
  • →Neglecting the background and not integrating it with the foreground.
  • →Getting bogged down in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (viridian, burnt umber, ivory black, cadmium red, yellow ochre, titanium white)
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use good quality oil paints for best results. A medium-textured canvas will help to create a more textured surface.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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