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home·artworks·Ludgate Circus, Entrance to the City (November, Midday)
Ludgate Circus, Entrance to the City (November, Midday) by Jacques-Émile Blanche

plate no. 5081

Ludgate Circus, Entrance to the City (November, Midday)

Jacques-Émile Blanche, 1910

oil, boardPost-Impressionismgenre paintingcityscapebuildingsstreetvehiclesfiguresbridge
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and capturing the impression of a bustling urban scene with loose brushwork. It also provides practice in simplifying complex architectural details and rendering figures in motion.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, bridge, and major vehicles.

  2. step 02

    Establish the overall color scheme with a thin wash of diluted paint, paying attention to the atmospheric perspective.

  3. step 03

    Block in the larger shapes of the buildings and bridge with broad brushstrokes, using a limited palette of earth tones and blues.

  4. step 04

    Add details to the buildings, such as windows and architectural features, using smaller brushes and more precise strokes.

  5. step 05

    Paint the vehicles and figures in the foreground, focusing on capturing their movement and energy.

  6. step 06

    Refine the details of the sky and atmospheric effects, using soft blending techniques to create a sense of depth.

  7. step 07

    Add highlights and shadows to create contrast and dimension.

  8. step 08

    Review the painting and make any necessary adjustments to the composition, color, or value.

color palette

primary · burnt umber · ultramarine blue · titanium white · cadmium red

secondary · yellow ochre · viridian green · ivory black

Achieve the atmospheric haze by mixing blues and whites with small amounts of earth tones. Create the red-brown hues of the bridge and buses by blending burnt umber and cadmium red.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·alla prima
  • ·implied detail

common pitfalls

  • →Getting bogged down in detail too early.
  • →Failing to establish a strong sense of atmospheric perspective.
  • →Overworking the painting and losing the freshness of the brushwork.
  • →Incorrect proportions of buildings and vehicles

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·round brushes
  • ·flat brushes

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a fast-drying medium to speed up the drying time of the oil paints.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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