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home·artworks·Lucia Sturdza Bulandra in Mamouret
Lucia Sturdza Bulandra in Mamouret by George Stefanescu

plate no. 0992

Lucia Sturdza Bulandra in Mamouret

George Stefanescu, 1960

oil, canvasPost-Impressionismportraitportraitfiguredresschairwomanclothing
some experience helpful

Recreating this painting will help students develop skills in impasto techniques and color mixing to create depth and form with visible brushstrokes. Students will also learn to simplify complex forms into basic shapes and capture a likeness.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and chair using light pencil lines.

  2. step 02

    Block in the background with broad strokes of green and red, leaving some areas unblended for texture.

  3. step 03

    Apply a base layer of red for the dress, focusing on the overall shape and folds.

  4. step 04

    Mix variations of red by adding small amounts of black, brown, or white to create shadows and highlights on the dress.

  5. step 05

    Use thick impasto strokes to build up the texture and volume of the dress, especially in the folds and highlights.

  6. step 06

    Paint the face and hands with careful attention to the values and proportions, using a limited palette of flesh tones.

  7. step 07

    Add the details of the lace collar and cuffs with small, precise brushstrokes.

  8. step 08

    Refine the overall composition by adjusting the values and colors as needed.

color palette

primary · red · green · white

secondary · black · brown · yellow

Achieve the various shades of red by mixing with black for shadows, white for highlights, and brown for warmth. The green is a mix of blues and yellows with touches of black and white for variation.

techniques

  • ·impasto
  • ·broken color
  • ·alla prima
  • ·scumbling

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to capture the likeness of the subject.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of value contrast in creating form.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (red, green, white, black, brown, yellow)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette knife
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Painting medium (e.g., Liquin)
  • ·Retouch varnish
  • ·Easel

Use a medium-grit canvas to enhance the texture of the paint. Consider using a palette knife for applying thick impasto strokes.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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