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home·artworks·Loued Mzi Flood
Loued Mzi Flood by Nasreddine Dinet

plate no. 6923

Loued Mzi Flood

Nasreddine Dinet

oil, canvasOrientalismlandscaperivermountainsfigurescamelsskytrees
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in light and shadow, as well as practice depicting reflections in water and rendering figures in a landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountain, river, and figures.

  2. step 02

    Block in the sky with light blue and pink hues, blending softly.

  3. step 03

    Establish the base colors for the mountain, using a mix of ochre, white, and a touch of red.

  4. step 04

    Paint the river with varying shades of blue, reflecting the sky and surrounding landscape.

  5. step 05

    Add the reflections in the water, using slightly darker and desaturated versions of the colors above.

  6. step 06

    Paint the figures and animals, simplifying their forms and focusing on their placement within the scene.

  7. step 07

    Add details to the mountain, creating texture and depth with highlights and shadows.

  8. step 08

    Refine the overall painting, adjusting colors and values to create a sense of harmony and atmosphere.

color palette

primary · ultramarine blue · yellow ochre · titanium white · burnt sienna

secondary · alizarin crimson · raw umber · sap green

Mix white with small amounts of ochre and sienna for the sand. Use ultramarine blue and white with a touch of ochre for the sky and water. Mix burnt sienna and raw umber for shadows.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details, losing the overall impressionistic feel.
  • →Making the reflections too literal, not capturing the subtle distortions of the water.
  • →Failing to create a sense of depth and atmosphere through color and value changes.
  • →Using colors straight from the tube without mixing, resulting in a flat and uninteresting palette.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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