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home·artworks·L'oued À Biskra
L'oued À Biskra by Paul Leroy

plate no. 3366

L'oued À Biskra

Paul Leroy

oilOrientalismlandscapelandscaperiverrocksskymountainswater
some experience helpful

Recreating this painting will help students develop skills in subtle color mixing and creating atmospheric perspective. It also provides practice in rendering textures and reflections in water.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
2
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, indicating the horizon line, mountains, river flow, and major rock formations.

  2. step 02

    Apply a thin wash of diluted burnt umber or yellow ochre to tone the canvas.

  3. step 03

    Block in the sky with a light blue-gray mix, blending it softly towards the horizon.

  4. step 04

    Paint the distant mountains with a muted pink or purple hue, softening the edges.

  5. step 05

    Establish the base color of the landscape with a mix of yellow ochre, raw sienna, and white.

  6. step 06

    Add the river using a mix of light blue, white, and a touch of violet, paying attention to reflections.

  7. step 07

    Begin painting the rocks, varying the colors with touches of brown, gray, and yellow. Use small brushstrokes to create texture.

  8. step 08

    Add final details and highlights to the rocks and water, refining the reflections and adding subtle color variations.

color palette

primary · yellow ochre · titanium white · ultramarine blue

secondary · burnt sienna · raw sienna · violet

Achieve the muted tones by mixing complementary colors and using plenty of white. The water's color is achieved by mixing blue and violet with white, and reflecting the colors of the surrounding rocks and sky.

techniques

  • ·atmospheric perspective
  • ·color mixing
  • ·dry brushing
  • ·wet-on-dry layering
  • ·rendering reflections

common pitfalls

  • →Overworking the details, losing the overall atmospheric effect.
  • →Using colors that are too saturated, resulting in a harsh and unnatural look.
  • →Ignoring the subtle color variations in the rocks and water.
  • →Failing to establish a clear sense of depth and perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·raw sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·violet oil paint

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify color mixing.

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