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home·artworks·Long Island Landscape with Red Building
Long Island Landscape with Red Building by Fairfield Porter

plate no. 7534

Long Island Landscape with Red Building

Fairfield Porter, 1962

oilContemporary Realismlandscapelandscapebuildingskyfieldcarroad
suitable for beginners

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and understanding atmospheric perspective. It also provides practice in color mixing to achieve subtle variations in tone and value.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition lightly on the canvas, paying attention to the horizon line and the placement of the buildings.

  2. step 02

    Block in the large areas of color, starting with the sky and the road, then the fields and buildings.

  3. step 03

    Establish the basic values of the buildings, fields, and road, focusing on the overall light and shadow patterns.

  4. step 04

    Refine the shapes and colors of the buildings, adding details such as windows and doors.

  5. step 05

    Add details to the landscape, such as the fence posts and the distant hills.

  6. step 06

    Paint the cars, paying attention to their shapes and reflections.

  7. step 07

    Adjust the colors and values as needed to create a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna · titanium white

secondary · viridian green · raw umber

Mix the sky by gradually adding white to the ultramarine blue. Use yellow ochre and burnt sienna for the fields, adjusting the proportions to create different shades of yellow and brown. Mix greens by combining blue and yellow.

techniques

  • ·blocking in
  • ·color mixing
  • ·atmospheric perspective
  • ·simplification
  • ·flat planes

common pitfalls

  • →overcomplicating the details
  • →using too much detail in the distance
  • →inaccurate color mixing
  • →not establishing a clear value structure

materials

surface · stretched canvas

required

  • ·stretched canvas 12x24
  • ·#4 flat brush
  • ·#8 flat brush
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a limited palette to simplify color mixing and create a harmonious painting. Consider using a medium to thin the paint and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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