apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Little girl with yellow babushka
Little girl with yellow babushka by Istvan Nagy

plate no. 3117

Little girl with yellow babushka

Istvan Nagy, 1917

oilPost-Impressionismportraitportraitfiguregirlheadscarfclothingchild
some experience helpful

Recreating this painting will help students develop skills in layering colors and capturing subtle variations in skin tones. It also provides practice in creating texture with visible brushstrokes and understanding color temperature.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the girl's head, scarf, and shoulders.

  2. step 02

    Establish the background with broad strokes of dark blues and browns.

  3. step 03

    Block in the main areas of color for the scarf using yellow and orange.

  4. step 04

    Begin layering colors on the face, using greens, blues, and browns to create shadows and highlights.

  5. step 05

    Develop the folds and textures of the scarf with short, directional strokes.

  6. step 06

    Add details to the eyes, nose, and mouth, paying attention to their shape and placement.

  7. step 07

    Refine the overall composition by adjusting values and adding final touches.

  8. step 08

    Add highlights to the scarf and face to create a sense of depth.

color palette

primary · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium orange · sap green · alizarin crimson

Mix greens for the skin by combining blue and yellow. Achieve the scarf's color by blending yellow ochre with cadmium orange. Use burnt umber and ultramarine blue to create dark shadows.

techniques

  • ·layering
  • ·scumbling
  • ·color mixing
  • ·broken color
  • ·hatching

common pitfalls

  • →Over-blending the colors, resulting in a muddy appearance.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the skin tones.
  • →Getting the proportions wrong in the initial sketch.

materials

surface · Stretched canvas or pastel paper

required

  • ·Oil paints or pastels
  • ·Canvas or pastel paper
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or turpentine
  • ·Linseed oil or painting medium
  • ·Rags or paper towels

optional

  • ·Easel
  • ·Apron
  • ·Viewfinder

Use a textured canvas or paper to enhance the visible brushstrokes. Consider using a toned ground to create a more unified color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov