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home·artworks·Little girl wearing large hat
Little girl wearing large hat by Gwen John

plate no. 1580

Little girl wearing large hat

Gwen John

oilPost-Impressionismportraitportraitfiguregirlhatclothinghair
some experience helpful

Recreating this painting will help students develop skills in creating subtle color variations and capturing a likeness with minimal details. It also encourages exploration of layering and glazing techniques to achieve depth and luminosity.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure, hat, and clothing.

  2. step 02

    Apply a thin wash of burnt umber or raw sienna for the background.

  3. step 03

    Establish the skin tones with a very diluted mix of white, yellow ochre, and a touch of red.

  4. step 04

    Paint the hair using a mix of red, orange, and brown, allowing some of the background to show through.

  5. step 05

    Define the hat with a mix of blue, black, and white, paying attention to the light and shadow.

  6. step 06

    Add details to the clothing using a mix of green, brown, and black, creating subtle folds and shadows.

  7. step 07

    Refine the facial features with delicate brushstrokes, focusing on the eyes and mouth.

  8. step 08

    Add final touches and highlights to enhance the overall composition.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · yellow ochre · ultramarine blue · cadmium red

Achieve the skin tones by mixing white, yellow ochre, and a touch of red. Create the background by diluting burnt umber or raw sienna with a medium. Mix blue, black, and white for the hat.

techniques

  • ·glazing
  • ·dry brushing
  • ·color layering
  • ·scumbling
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the simplicity of the original.
  • →Using colors that are too saturated and not achieving the muted tones.
  • →Not allowing the layers to dry properly, resulting in muddy colors.
  • →Ignoring the subtle value changes and creating a flat, lifeless image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (small sizes)
  • ·linseed oil
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·odorless mineral spirits
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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