apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Little Girl
Little Girl by Károly Lotz

plate no. 9726

Little Girl

Károly Lotz, 1885

oilAcademicismportraitportraitfiguregirlclothinghairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering subtle skin tones. It also provides practice in depicting fabric and creating a sense of depth through value and color.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and background oval.

  2. step 02

    Establish the main light and shadow areas on the face and clothing with thin washes of color.

  3. step 03

    Block in the background with dark greens and browns, paying attention to the oval shape.

  4. step 04

    Begin layering colors on the face, building up the skin tones with subtle variations.

  5. step 05

    Add details to the eyes, nose, and mouth, focusing on capturing the likeness.

  6. step 06

    Paint the hair, using loose brushstrokes to suggest texture and volume.

  7. step 07

    Render the clothing, paying attention to the folds and highlights.

  8. step 08

    Refine the details and adjust the values to create a cohesive and realistic portrait.

color palette

primary · titanium white · yellow ochre · burnt umber

secondary · cadmium red · viridian green · ivory black

Mix skin tones using white, yellow ochre, and a touch of red. Achieve the dark background by blending viridian green and burnt umber. Use white and yellow ochre for highlights on the clothing.

techniques

  • ·portrait painting
  • ·layering
  • ·blending
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the freshness.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle color variations in the light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (titanium white, yellow ochre, burnt umber, cadmium red, viridian green, ivory black)
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus