apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lights on the Riverside
Lights on the Riverside by Bertalan Por

plate no. 9405

Lights on the Riverside

Bertalan Por, 1909

oilPost-Impressionismlandscapetreeswaterlandscapefoliagereflectionriverbank
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using visible brushstrokes to build texture. It also provides practice in capturing light and shadow in a natural setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the waterline.

  2. step 02

    Block in the large shapes of color for the trees, water, and background.

  3. step 03

    Begin layering different shades of green and yellow to create the foliage, paying attention to the light.

  4. step 04

    Add darker values to create shadows and depth within the trees.

  5. step 05

    Develop the water by layering blues, greens, and yellows to suggest reflections.

  6. step 06

    Refine the details of the tree trunks and branches.

  7. step 07

    Add highlights to the water and foliage to enhance the sense of light.

  8. step 08

    Make final adjustments to values and colors to achieve a harmonious composition.

color palette

primary · sap green · lemon yellow · ultramarine blue

secondary · burnt umber · titanium white · cadmium yellow

Mix greens by blending blues and yellows. Use white to lighten colors and create highlights. Burnt umber can be used to darken greens and create shadows.

techniques

  • ·broken color
  • ·impasto
  • ·layering
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating muddy colors by over-mixing.
  • →Failing to capture the subtle variations in light and shadow.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·odorless mineral spirits

Use good quality oil paints for best results. A medium-sized canvas (12x16 or 16x20) is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois