apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lighthouse in Balchik
Lighthouse in Balchik by Nicolae Tonitza

plate no. 7678

Lighthouse in Balchik

Nicolae Tonitza

oilPost-Impressionismcityscapebuildinglighthouseskyseaarchitecturelandscape
some experience helpful

This painting is great for practicing color mixing to achieve muted tones and learning how to create texture with visible brushstrokes. Students can also learn about simplifying complex scenes into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the lighthouse, buildings, and horizon line.

  2. step 02

    Block in the sky with a thin layer of blue and gray.

  3. step 03

    Establish the basic colors of the buildings using a mix of ochre, white, and a touch of brown.

  4. step 04

    Paint the sea with a muted blue, adding subtle variations in tone.

  5. step 05

    Add details to the lighthouse, focusing on its cylindrical shape and the small blue roof.

  6. step 06

    Define the windows and roof tiles with darker tones.

  7. step 07

    Use short, broken brushstrokes to create texture on the buildings and ground.

  8. step 08

    Add final highlights and shadows to enhance the form and depth.

color palette

primary · ultramarine blue · yellow ochre · titanium white

secondary · burnt umber · raw sienna · cadmium yellow

Mix white with ochre and a touch of umber for the building walls. Use ultramarine blue with white and a touch of gray for the sky. Muted greens can be achieved by mixing yellow ochre and ultramarine blue.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·color mixing
  • ·simplification

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using colors that are too bright or saturated.
  • →Failing to simplify the scene and getting bogged down in unnecessary details.
  • →Not paying attention to the overall value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes size 4 and 8
  • ·flat brush size 6
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·odorless mineral spirits (if using oils)

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a medium-textured canvas to help create a broken color effect. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov