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home·artworks·Les bouquinistes devant Notre Dame
Les bouquinistes devant Notre Dame by Jules Lefranc

plate no. 9024

Les bouquinistes devant Notre Dame

Jules Lefranc, 1935

oilNaïve Art (Primitivism)cityscapecityscapeNotre Damebooksrivertreesarchitecture
some experience helpful

Recreating this painting will help students develop skills in perspective, color mixing for landscapes, and creating texture with brushstrokes. It also encourages observation of architectural details and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the buildings and the river.

  2. step 02

    Block in the main shapes of the sky, water, and buildings with diluted washes of color.

  3. step 03

    Add the darker values to define the architectural details of Notre Dame.

  4. step 04

    Paint the trees and foliage, using varied greens and textures.

  5. step 05

    Establish the foreground elements, including the book stalls and the stone wall.

  6. step 06

    Add the details of the books and the writing on the stone wall.

  7. step 07

    Refine the colors and values throughout the painting, paying attention to light and shadow.

  8. step 08

    Add final details and highlights to create depth and interest.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · sap green · cadmium red

Mix greens by combining blue and yellow ochre, and adjust the tone with burnt umber or white. Achieve the sky and water colors by mixing ultramarine blue with white, and adding small amounts of other colors to create subtle variations.

techniques

  • ·blocking in
  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Incorrect perspective of the buildings.
  • →Overly bright or saturated colors.
  • →Lack of variation in the greens of the foliage.
  • →Neglecting the details of the books and the writing.
  • →Failing to create depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil (if using oils)
  • ·palette knife

optional

  • ·easel
  • ·medium gloss
  • ·retarder

Use a medium-grain canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

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