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home·artworks·Lermontov's place. Vicinity of Kislovodsk. The road to rock Lermontov.
Lermontov's place. Vicinity of Kislovodsk. The road to rock Lermontov. by Pyotr Konchalovsky

plate no. 9048

Lermontov's place. Vicinity of Kislovodsk. The road to rock Lermontov.

Pyotr Konchalovsky, 1938

oilPost-Impressionismlandscapelandscaperockshillsskyfigurehorse
some experience helpful

This painting is great for practicing layering watercolor washes and creating texture with dry brush techniques. Students can learn to simplify complex forms like rocks and foliage into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the cliffs, the horizon line, and the figure.

  2. step 02

    Apply a light wash of diluted yellow ochre and raw sienna to the rocks and hills.

  3. step 03

    Add a diluted blue-gray wash to the sky, leaving some areas white for clouds.

  4. step 04

    Layer greens and browns for the foliage, using a dry brush technique for texture.

  5. step 05

    Paint the figure and horse with a mix of browns and reds, keeping the details minimal.

  6. step 06

    Add shadows to the rocks and hills with a mix of burnt umber and blue.

  7. step 07

    Define the edges of the rocks and foliage with a darker wash.

  8. step 08

    Add final details like small rocks and highlights.

color palette

primary · yellow ochre · raw sienna · ultramarine blue

secondary · burnt umber · cadmium red light · sap green

Mix yellow ochre and raw sienna for the warm tones of the rocks. Use ultramarine blue with burnt umber for shadows. Mix sap green with yellow ochre for varied greens.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering washes
  • ·color mixing
  • ·value control

common pitfalls

  • →Overworking the details and losing the freshness of the watercolor.
  • →Making the colors too saturated and unnatural.
  • →Not planning the values correctly, resulting in a flat image.
  • →Using too much water and losing control of the washes.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints
  • ·Watercolor paper 140lb
  • ·Round brushes (sizes 4, 8, 12)
  • ·Flat brush (1 inch)
  • ·Water container
  • ·Palette
  • ·Pencil
  • ·Eraser

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Spray bottle

Use good quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various textures.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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