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Lerici by Mario Zanini

plate no. 0527

Lerici

Mario Zanini, 1950

oilPost-Impressionismcityscapebuildingscityscaperooftopsskychimneysarchitecture
some experience helpful

This painting is great for learning about simplifying complex scenes into basic shapes and using a limited color palette to create a cohesive and atmospheric effect. Students can practice layering and blending techniques to achieve the soft transitions and subtle variations in tone.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the horizon line.

  2. step 02

    Block in the sky with a thin wash of blue and gray.

  3. step 03

    Establish the main color blocks for the buildings, focusing on the overall tonal values.

  4. step 04

    Begin layering colors to create depth and form, paying attention to the light and shadow.

  5. step 05

    Add details such as windows, chimneys, and roof tiles, keeping them simple and suggestive.

  6. step 06

    Refine the edges and blend colors where necessary to create a soft, painterly effect.

  7. step 07

    Add final touches and highlights to bring the painting to life.

  8. step 08

    Step back and assess the overall balance and harmony of the painting.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · yellow ochre

Mix burnt umber and raw sienna for the warm tones of the buildings. Use white to lighten the colors and create variations in value. Mix blue and white for the sky, adding a touch of umber for a muted effect.

techniques

  • ·dry brush texture
  • ·layering
  • ·blending
  • ·color mixing
  • ·simplification

common pitfalls

  • →Getting bogged down in details too early.
  • →Overworking the colors and losing the freshness of the brushstrokes.
  • →Failing to establish a clear sense of light and shadow.
  • →Using colors straight from the tube without mixing them.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to enhance the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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